Error Gorilla

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“Having inflated racism’s political currency, New Labour vacated the electoral market so that others with a more ostentatious style might more freely spend it. Once they had made these ideas respectable it was only a matter of time before a party reached a position where it too would earn sufficient respectability to appear on prime time.”
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“A small band of sinister virgins.”
— Christopher Hitchens on the Catholic Church.
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A love supreme: John Coltrane, Vitry-sur-Seine, Paris. (via Photograff Collectif)

A love supreme: John Coltrane, Vitry-sur-Seine, Paris. (via Photograff Collectif)

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“Obama, the smooth operator from Chicago via Harvard, was enlisted to restore what he calls “leadership” throughout the world. The Nobel Prize committee’s decision is the kind of cloying reverse racism that has beatified the man for no reason other than he is a member of a minority and attractive to liberal sensibilities, if not to the Afghan children he kills. This is the Call of Obama. It is not unlike a dog whistle - inaudible to most, irresistible to the besotted and boneheaded.”
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Lying in the wheelbarrow is the body of Dorothy, a chimpanzee who died suddenly of natural causes; the people in the scene are preparing to bury her. Behind the fence is a quiet gathering of her friends. It makes me wish I could have a conversation with a chimpanzee. I wonder what they are thinking, and how close their feelings would be to those of a human family…
(via PZ Myers)

Lying in the wheelbarrow is the body of Dorothy, a chimpanzee who died suddenly of natural causes; the people in the scene are preparing to bury her. Behind the fence is a quiet gathering of her friends. It makes me wish I could have a conversation with a chimpanzee. I wonder what they are thinking, and how close their feelings would be to those of a human family…

(via PZ Myers)

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Michael Kupperman (via Meathaus)

Michael Kupperman (via Meathaus)

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Faber and Faber Poets (1969) Richard Murphy, Douglas Dunn, Philip Larkin, Ted Hughes. (via Cameron Self)

Faber and Faber Poets (1969) Richard Murphy, Douglas Dunn, Philip Larkin, Ted Hughes. (via Cameron Self)

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In honour of his Argentinian side finally achieving qualification for the 2010 World Cup, here is Diego Armando Maradona elevating football to an artform, scoring a goal of sublime brilliance against England in the 1986 World Cup Quarter Final. Witness Maradona collect the ball in his own half, before commencing an astonishing 60-metre weaving run through the hapless English defence, and understand theologians, that this is the only proven example of creatio ex nihilo. For two weeks next summer I will light the votive candles and worship at the shrine of D10S himself, genuflecting in the Church of Maradona.

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“The bacillus of efficiency has also attacked football, and some dare to ask what’s the point in playing well. I feel tempted to tell about the time they dared to ask Borges what is poetry for, to which he answered: What is a sunrise for?, what are caresses for? what is the smell of coffee for? Each question sounded like a sentence: they are for pleasure, for emotion, for living. Football is made up of subjective feeling, of suggestion - and, in that, Anfield is unbeatable. Put a stick with shit hanging from it in the middle of this passionate, crazy stadium and there are people who will tell you it’s a work of art. It’s not: it’s shit hanging from a stick […] if football is going the way Chelsea and Liverpool are taking it, we had better be ready to wave goodbye to any expression of the cleverness and talent we have enjoyed for a century”
— Compare the words of Argentine former-footballer Jorge Valdano with the better-not-say-too-much-as-we’re-playing-golf-together-tomorrow platitudes of Lineker et ses amis on the Match of the Day couch. God rot English football: anaemic, lumpen and overpriced dreck.
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David Harvey and Alexander Cockburn: Challenging the Economic Order

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